Part of the pleasure of printmaking is the reveal – after the plate with paper on top has passed through the press and you gently peel the paper back, what do you see? With a conventional plate, where a carefully considered image has been made on the plate you hope to see a clear rendition of what you have put down appearing as a mirror image of the plate. With works such as the ones I have been doing recently it is much more a mystery.
The four images above were made by rolling ink fairly randomly – there was some planning involved – onto an acrylic sheet, then strips and small rectangles of plasticised paper were laid across the plate to make a satisfying arrangement. Next, dampened pieces of printmaking paper smaller than the acrylic sheet were placed on the sheet and the whole lot was put through the press, thus making bleed prints, where the ink goes beyond the edge of the paper.
Some of the strips had been used before, so had ink on them which also transferred to the paper, as well as masking out the ink below – hence both stencils and masks. The pressure of the press and the dampness of the paper also caused some of the ink to squish out below the masking strips, creating areas of different depth of colour. The top left panel is a ghost print, that is, a print made by putting the plate through the press a second time without re-inking, so just a light residue is transferred to the paper.
All of these were then printed on the back, to make double-sided images, as shown below.
Probably they will ultimately be turned into a book or 3D object, so some of both sides will be seen. That’s for a future post!