Recently I had an interesting discussion with a friend when I talked about miniature portraits – his response was ‘Isn’t that a tautology, surely ALL miniatures are portraits?’ So, the simple answer was no, modern miniatures can be any kind of subject matter and any medium – landscape, still life, abstract and sculpture to name a few.
The annual awards exhibition for the miniature society is coming up in June, so I have been thinking in miniature. Every year as well as prizes for each media section there is a special prize for a themed artwork. This time it is Australian Icon. I have to admit my heart sank when I heard this – I can imagine a mass of Sydney Harbour Bridges, Opera Houses, cockatoos, Dame Edna Everage, Don Bradman. The idea did not inspire me. So I decided to think laterally, to people who maybe should be an icon but are not so well-known, and it seemed obvious to choose an Aboriginal person. The two above are long dead, and the likenesses extracted from old photos. I have not been too fussy about copying photos exactly, it was more about getting the essence of the person.
On the left is Truganini, reputed to be the last female full-blood Aborigine from Tasmania, who died in 1876, and on the right is William Lanne, died in 1869, said to be the last male full-blood from Tasmania. His original name has been lost. For both of them, their stories are tragic, of exploitation, harsh treatment and ultimately the deep humiliation after death, for William at least, of having his head stolen for ‘scientific purposes’. Truganini’s skeleton was put on view in a museum for nearly 100 years until finally it was removed and cremated according to her wishes in 1976.
Truganini is drawn with coloured pencils on drafting film, and William is on white scratchboard. The form was drawn with black ink, then the detail scratched away.
When matted and framed, Truganini will be 6.5 x 8 cm and William will be 8 x 9 cm.