Visiting an old house in England last year, my daughter and I came upon a wonderful walled kitchen garden, full of heritage plants, fruiting, flowering and looking magnificent. I took masses of photos and have enough material for many drawings and paintings. The first drawing inspired by this garden is of zucchini (courgette) flowers, going over, twisted and crumpled. I did a fairly rough outline drawing across six A5 panels of heavy cold pressed rough paper, then worked into it, first with pen, then pastel pencils as a base topped with Prismacolor pencil. Now comes the conundrum – I have completed one panel, and put colour on all the zucchini flowers in the other panels, leaving the backgrounds white, with the black ink marks. I think I like the unfinished panels better. Alone, each one is an abstract image with characteristics of its own. Put together I feel the image is more mundane. So, do I just carry on and add colour all over each panel, then either still keep them as separate pieces or put them together as a whole, or leave well alone. When the panels are put together in a long line they take on yet another characteristic – unframable of course, but maybe that is irrelevant …
I really like this tiled approach
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Thanks, I love working with panels, it offers unexpected results!
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Conundrum indeed, always so many decisions to make – I am uncertain why you think the six in a row cannot be framed- is it because the result would be long and narrow? The flowers are beautifully expressed – you could cheat with your decision making – you have photos and you could run off some copies and play with them ? / or play with them in photoshop or equivalent. Good luck and I am looking forward to seeing how you resolve your challenge. Always interesting to see how others approach their problems. 🙂
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I suppose the six could be framed together – if it was horizontal it would be a very long frame, but that is a format I love. Your idea of doing work in photoshop is a good one, it does give a sense of what will potentially work. Thank you so much Veronica, I always value your comments.
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I’m pretty sure you had already thought of doing some trials with this in photoshop (or similar) just another little thought after you had been doing all those brilliant exploratory drawings over summer – you mentioned that the zucchini drawings were developed from photos drawings taken in England – what about developing maps of the walled garden in the background – combining the exploratory journey you began over summer?? just another line of enquiry !!
(another piece)
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Ooh Veronica, what a great idea! I had still been pondering what to do with these, as I feel they aren’t finished as they are, and I find I am resisting finishing them all in the same way. At the moment I haven’t a lot of time (‘real’ work is getting in the way) and I am really wanting to get back to finishing the map drawing. Continuing an element of that idea into these is such a great linkage. Thank you!
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🙂 look forward to seeing where you take them.
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I shall keep you posted!
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It is quite interesting leaving part of the blocks without color. 🙂 Very interesting approach!
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Thanks Gale! It wasn’t till I had virtually finished the first one that I realised I liked the unfinished look. It’s something I often like in other people’s work, a work-in-progress sometimes has more impact than when it is finished.
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My vote is for not fully coloured in, particularly if they are going to be shown together. Perhaps if they were being shown singularly the full colour ones would work. My other thought was maybe just a hint of green around the edges. This is a lovely drawing Anna and I just love vege gardens, how beautiful the walled garden must have been. Can’t wait to see some more. Karen
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Thank you Karen – I like the idea of a hint of green around the edges. It really was a wonderful garden, on a glorious sunny day, the colours were so vibrant.
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Just to be contrary, I LOVE the finished panels. If it was my own I would want to take it as far as it could go. But as it is yours, you’ll have your own view. I like the texture of the fully drawn panels and the rich colours. These colours look so much healthier than plants in my own garden right now which are having their seasonal February caterpiller attack.
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I like a contrary view! I must admit, I do really like the finished panel, but I don’t like the composite image, and I think even if I took all of the panels to a similar level of finish I wouldn’t want to put them together in any conventional way, but maybe mix them up, or present them in a row or column. The colours are certainly richer than any in our garden now as well!
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We’ll have to watch this space to see what you decide in the end.
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Indeed! Hopefully it won’t be too long …
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Glorious
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Thanks Rosie!
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Beautiful drawings – and I agree with you that the unfinished panels are lovely 🙂
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Thank you Sue – I am still undecided, I think a decision will eventually make itself!
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I love those individual panels and details!
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Thank you so much Andelieya!
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I would not presume to suggest, but each panel is and engaging discovery unto itself however you decide to arrange them.
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Thanks Elena – yes, the journey of discovery is not over yet!
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Hello Anna. I just stumbled upon your blog, and I love this style. I’ve never seen illustration quite like this, and just wanted to pass on that I think its great! Look forward to seeing more of your posts. Best wishes, Helen.
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Thank you so much Helen! It’s lovely to hear such a nice comment. This piece has been a bit of a mystery to me too, gradually appearing. I had a lot of fun working on it. I will go and visit your blog now!
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Beautiful zuchinni yellow folded crumpledness Anna !
Will be interested to see if your conundrum is solved any time soon 😉
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Thanks Poppy – those crumples really got me going on this one. It’s not resolved yet, but I think I am creeping towards a conclusion!
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